Deepak
Ram Trio
Acoustic
Fusion Concert
Deepak
Ram - bansuri
Jerry Leake - tabla & other percussion
Michael Rivard - acoustic double bass &
electric bass
April 2nd, 2005, Saturday 7:30 PM
Satalla
37 West 26th St, New York City
(212) 576-1155
Deepak Ram
bansuri
Close your eyes and let yourself float off on
one of bansuri flute master Deepak Ram’s haunting melodies, and
you never know where he'll end up taking you. With the ancient
roots of north Indian classical music as his point of embarkation,
this phenomenal player sets his compositions loose to range over
a vast terrain, weaving together traditional elements from Africa
and India with modern Western influences to create a sound that
is both deeply spiritual and cosmopolitan.
Born in South Africa in 1960, Deepak Ram began his formal training
in bansuri and tabla there before traveling to India to study
flute; in 1981 he became the disciple of the world-renowned bansuri
master, Pandit Hariprasad Chaurasia. In addition to his accomplishments
in traditional Indian music, Deepak Ram is well-known for his
collaborations with musicians of other genres, including jazz
pianist Darius Brubeck and the popular South African group Tananas,
and for his vast experience as a composer of pieces ranging from
jazz to choral works, ballets, and orchestral pieces. He has performed
all over the world and has recorded numerous albums including
Searching for Satyam, which won Best Instrumental Album in the
2000 South African Music Awards, and his most recent albums, Prasad
- Blessing & Beauty in Diversity, both on Golden Horn. Deepak
Ram
Jerry Leake
tabla and other percussion
Jerry Leake is co-founder of the acclaimed world-music ensemble
Natraj, whose third CD, Deccan Dance, features his diverse percussion
talents. He also performs with Club d'Elf, R.A.R.E, Moksha, and
the Agbekor Drum and Dance Society. He is featured on many CDs and
has released a solo recording of traditional and contemporary percussion
vignettes. On tabla, he has accompanied Ali Akbar Khan, Steve Gorn,
Sharafat Ali Khan, Kumkum Sanyal, Chitravena Ravikiran, Purnima
Sen, Joti Raghavan, George Ruckert and Peter Row.
Jerry graduated from the Berklee College of Music where he studied
jazz vibraphone with Gary Burton and hand percussion with Pablo
Landrum. He studied tabla in Pune, India with Shreeram and Rajiv
Devasthali, and extensive studies in Boston. In Chennai, India,
Jerry studied Karnatic rhythm theory (and mridangam) with T. K.
Ramakrishnan, as well as with Jamey Haddad in Boston. Jerry is a
regular substitute teacher for Haddad’s frame drum and rhythm
theory classes at Berklee College. He continues to study African
percussion with Dolsi-Naa Abubakari Luna of the Dagomba tradition
(northern Ghana) and has studied Ewe music with Godwin Agbeli (southern
Ghana), and balafon and djembe with the Coulibaly family in Burkina
Faso.
Jerry has written eight widely used texts on North Indian, West
African, Latin American percussion, and advanced rhythm theory (www.RhombusPublishing.com).
He is currently on the faculty of the New England Conservatory of
Music and Tufts University, and presents percussion clinics and
solo concerts throughout New England.
Michael Rivard
acoustic double bass & electric bass
Michael Rivard studied at Berklee College of Music, as well as at
the Banff School of Fine Arts with award-winning jazz bassist Dave
Holland, and privately with jazz improvisation guru Charlie Banacos.
A member of world jazz group Natraj since '86, he also leads the
acclaimed dub/world/jazz group club d'Elf and has produced 7 albums
for the band which feature some of the premier musicians in the
improv scene, including John Medeski, dj Logic, Dave Fiuczynski
& others. Rivard has performed and recorded with a wide array
of artists, including Chitravina Ravikiran, Dolsinaa Abubakari Lunna,
Billy Martin ( MMW ), Hassan Hakmoun, Morphine, Either/Orchestra,
Paula Cole, Jonatha Brooke & the Story, & many others. Besides
acoustic double bass and electric bass his studies have recently
included the Moroccan sintir and an immersion in the music of that
country, including Gnaoua and Berber styles.
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